Being Human and consent.

It’s COVID still, I’m bored. What do bored people do stuck at home? They stream or watch T.V.

Of course, you run out of things to watch, and so you end up looking for shows and movies you watched years ago, which led to me re-watching BEING HUMAN from the BBC and also giving the American version of the show a chance.

They are still enjoyable, a bit cheesy, but enjoyable. Yet one thing really stuck out: How the characters react to sexual assault.

I won’t spoil it, but some characters get touched or groped, or even nearly raped in both versions of the show, and the narrative and characters view it as a personality flaw more than something very serious. There is often no lasting trauma, and sometimes the person that attempted it isn’t immediately ostracized.

Now these shows are in the early 2010’s long before #MeToo but long after second and third wave feminism was actually a thing. Yet there was not a huge backlash from fans over this back when it aired.

As a writer it makes you really think about how certain acts, whether good or bad, are perceived as time goes on, how our perceptions of things change how we write. Because the writing in those shows treated a lack of consent with less gravity than media today.

What’s the lesson? I guess be more careful when writing, and do research on everything you can. But I honestly wonder if it’s even possible to write something that doesn’t age too poorly.

Now to be fair, BEING HUMAN still was fun to watch. And maybe I am only noticing this because I used to spend lots of time with second, third and fourth wave feminists online. Maybe it isn’t so bad.

But if I am wrong or right, maybe check out BEING HUMAN and see for yourself. At the very least it can be analyzed and help your writing, or you just enjoy watching it.

Being Human: five reasons why BBC3's drama is essential viewing | Being  Human | The Guardian

Initiatives of attack and counter attack: Introduction.

This is a rough post, exists to help organize my thoughts. Forgive the spelling and grammar errors, I will try to lessen them in the future. For now I want momentum going for my blog.

In Japanese martial arts there are three phases of attack and counter attack: Sen en no sen, Sen no sen, and Go no sen.

These three concepts exist beyond karate and Japanese martial arts, all striking and weapon systems use these strategies, perhaps call them different things.

On the surface the concepts are very simple. Sen Sen no sen means to attack them before they attack you. Sen no Sen means to counter at the same time as your opponent attacks. Go no sen means to attack afterwards. Generally combat philosophy breaks down these three timings as just that, no more, no less.

I don’t know if I understand more about this than great Japanese Kendo masters and karateka. I don’t. But I do plan to examine the three initiatives in depth and situationally, particularly range. I will even do some small analysis of these timings in grappling, though that could be a topic all on it’s own.

I hope you readers will enjoy it, or at least learn something. And if you don’t learn something, I hope I got you thinking.

Pivotal Moments: Machida vs. Mousasi - Bloody Elbow

I’m Adeel. What’s the deal with Adeel?

I am mostly a martial artist who did karate as a kid under a fossil of a teacher, then did Uechi-Ryu karate with a very good teacher, then I did kickboxing and no-gi submission grappling in two different MMA schools.

But I also am an amateur writer (My stuff looks better than the blog, because I actually edit my writing) and I suffer from ADHD, minor bi-polar and am on the autistic spectrum, and when I have a thought relating to such matters I will post it here.

I’m also Muslim if anyone cares. I may or may not occasionally post about that.

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